überlin

Music Montag: Best of Berlin 2014

by James Glazebrook

There’s nothing like a Music Montag end of year playlist to make you realise just how diverse the Berlin music scene is! Bookended by classic Zoë favourites that drive home the dominance of the city’s clubbing industry, elsewhere this year’s Best of Berlin runs the gammut of genres. There’s electro pop, indie, weirdo synth explorations, progressive metal, a healthy chunk of Bowie covers… even a hilarious advertising jingle and a track from a rock opera for kids! Hope you enjoy this pick-and-mix of the most interesting music (mostly) produced in Berlin this year. Boom.

Want to walk your ears down memory lane? Check out the Music Montag: Best of Berlin 2013 and the best of 2012.

Music Montag: The Cure

by James Glazebrook

Bet you didn’t know The Cure were once signed to Berlin’s Hansa Records. For like, a second…

On the pointed club crossover 12-inch in question (Boys Don’t Cry), Smith balanced out its somewhat grotesque ambition by lampooning their early days: Included on the flipside were the slinking, original 1979 track “Plastic Passion”, the faltering pop/punk stab “Pillbox Tales”, and an in-studio disco joke, “Do the Hansa”. Recorded under the name Easy Cure in 1978, the last two tunes were leftovers from the group’s first big break, a contract with Germany’s then-largest independent label, Hansa, whose interest in the band proved superficial. After being pressured to record covers of Paul Revere & The Raiders’ “Great Airplane Strike” and the Bobby Fuller Four’s “I Fought the Law” (which, by that time, The Clash were already well known for), Easy Cure took their £1000, their tapes and their pride home with them, then recorded “Do the Hansa”, an embittered shot at the suits.

– Pitchfork